SHE STARTED IT Review: Tech Tenacity

Failure provokes a lot of responses in people. When you fall flat on your face, it’s an embarrassing thing that makes you want to hide in a hole and never come out—at least, that’s how I react when I say or do something dumb. That’s why I’m not the future CEO of a major tech company.

Photo Credit: She Started It/IMDb


But the young women profiled in She Started It, a documentary airing tonight on Fuse TV in honor of International Women’s Day, are future tech leaders. In the film, from documentarians Nora Poggi and Insiyah Saeed, women from around the world try to their way in Silicon Valley and other tech hubs, over the course of two years of filming. They are immigrants, college dropouts, child prodigies, online shopping aficionados, business app developers, but most of all they are women struggling in a field hostile to them.

Each of these women fails to some degree, but they all share one key thing in common, and it’s not a love of technology. They’re all tenacious in a way that you don’t see in your day-to-day, 9-to-5 life.

Take Thuy Truong, for instance. Thuy, a 27-year-old Vietnamese-American who builds a collaborative-drawing app for tablets and smartphones, is, by her own admission, not “a social creature.” English isn’t her first language, a complication that combines with her natural inclination toward introversion. And, of course, she’s a woman from Asia trying to build a business in the Bay Area’s tech sector, which is as white-male-dominated as a picture book about American presidents circa 2008. So when she has to present her app at a seminar/fundraising event, she flings words out of her mouth at a mile-a-minute pace. Her jokes don’t land. Her confidence is nonexistent. She buries the lede about her app’s benefits and nobody knows what she’s trying to sell them. It’s uncomfortable and unfortunate, and if Thuy were most people, she’d slink away and get an office job. It’s really that painful to watch.

But that’s all by design. Poggi and Saeed play the long game with editor Jennifer Steinman. Thuy’s arc of solidifying her pitch and reaching out to anyone who’s willing to offer advice and assistance is the type of thing that gives introverts hope for success in a world that’s not built for them. They’ll trip on many steps along the way, but at least the staircase is heading up if you don’t turn back.

Two Arcs Going In Opposite Directions

Stacey Ferreira didn’t have the same struggles as Thuy when she got started in the tech business. Stacey hit it big on her first try, a company she co-founded with her older brother shortly after she graduated from high school. By the time she was 19 years old, she’d already secured $1 million in funding from Richard Branson. Yeah, the Virgin Group guy.

But the sophomore slump isn’t a myth. Even if you have a great idea—Stacey wants to build a single online marketplace for finding, buying, and selling outdoor signage space—it doesn’t mean that anyone will buy it.

Stacey hoofs it all around San Francisco, barely ever finding time to eat lunch in between gassing up her car and taking calls with largely disinterested moneymen who, she suspects, would much rather be taking calls from her brother, who is not involved in this particular enterprise.

Sexism envelops every part of Stacey’s life, and it’s not just the venture capitalists who treat her like a little girl. Everyone she knows, from her condescending boyfriend (he does this “aren’t you adorable?” cheek rub at one point that’s enough to give you the willies) to her parents, who continually dismiss the million dollars Stacey earned as a teenager. They pressure her time and again to return to college at NYU so that she can grow up to get a job and start a family—her mother is preoccupied with Stacey making her a grandmother, even though Stacey’s brother is two years older and theoretically closer to the marrying and baby-making stage of life.

If you want a master class in double standards, look no further than an enlightening moment at a dinner table between Stacey and her family. While her brother looks on silently, their mother goes on and on about why it’s so important for Stacey to return to school rather than pursuing the entrepreneur life. One of the directors peeps up and asks if Stacey’s brother should return to school for the same reasons.

“Maybe, we’ll see,” the elder Ferreira woman says. After all, she notes, so many successful entrepreneurs have been college dropouts. Poggi and Saeed do no trickery. There are no edits to cherry pick this woman’s words to point out her lack of self-awareness. It’s all one shot, no cuts, all cognitive dissonance and lack of faith and second-nature bullshit. With her company failing at the same time her mother spews this nonsense, it would be enough to break someone.

And yet she keeps making those calls once she’s re-enrolled in classes. Her company remains on life support, but it’s got a heartbeat. Stacey’s not all, “Woe is me,” she’s, “What’s next?” She’s living the advice given by her costar, Tran: ““If Plan A, Plan B, Plan C doesn’t work, then there’s 23 other characters in the alphabet.”

Directors: Nora Poggi, Insiyah Saeed
Featuring: Thuy Truong, Stacey Ferreira, Sheena Allen, Brienne Ghafourifar, Agathe Molinar
Available on Fuse TV

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