It's a fairly quiet
weekend after a big holiday last week. There is only one relatively
wide release hitting theaters, plus one in limited release that
should be of particular interest to those readers from Halfstack's
home base, Chicago. Let's see what the movies have got in store for
us.
Krampus
Director: Michael
Dougherty
Writers: Todd
Casey, Michael Dougherty, Zach Shields
Starring: Adam
Scott, Toni Collette, David Koechner, Allison Tolman
The myth of Krampus
is pretty terrifying, with a giant monster who eats bad kids on
Christmas. This could easily be the type of story that gets mined for
something like the Ernest movies, but the filmmaking team
behind Krampus seems intent on straddling the horror-comedy
fence all the way through. Based on the trailer, there's a growing
sense of dread and some effective suspenseful scares along the way.
The comedy vets in the cast, like Parks and Recreation's Adam
Scott and Anchorman's David Koechner, would theoretically be
the sugar that makes the scary medicine go down, but we'll see. It
looks like a spooky fun time.
Chi-Raq
Director: Spike Lee
Writers: Kevin
Willmott, Spike Lee
Starring: Nick
Cannon, Teyonah Parris, Wesley Snipes, Angela Bassett, Samuel L.
Jackson
My day job is
running a newswire service for a subsidiary of the Chicago
Sun-Times. Awful things from around the world come across my
electronic desk every few minutes, and unfortunately my hometown is
heavily involved in that, with a murder rate through the roof and
violence festering through huge chunks of the city. Spike Lee, a man
who has film running through his veins, has decided to take that
local cycle of violence, mistrust, and desperation and turn it into a
vibrant, colorful satire based on Aristophanes's Lysistrata. The
central premise of the play and now Chi-Raq is that the men of
the community trap themselves in a self-perpetuating cycle of war, so
their female partners take the initiative to put an end to the
violence by cutting them off, sexually speaking. Based on the
trailer, Lee does not hold back on the inherent sadness of all the
killing, but by playing it satirically, he can – fingers crossed –
also point out the silly uselessness of such incidents.
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