This is the first
crowded opening weekend of 2015. Another couple 2014 Oscar contenders
get wide releases and the usual January stuff has moved from a
trickle to a downpour. You never know, some of it might be good. Most
of it is probably trash. But let's take a look anyway in the event
you're looking for some theatergoing this weekend.
A Most Violent Year
Director: J.C.
Chandor
Writer: J.C.
Chandor
Starring: Oscar
Isaac, Jessica Chastain, David Oyelowo
J.C. Chandor is a
bit of a chameleon if his first three films are to be believed. His
first, Margin Call, is a play-like drama set in a high powered
broker office during the start of the 2008 financial crisis. His
second, 2013's terrific All Is Lost with Robert Redford, was
an almost wordless film that utilized the elements – and the
elements of cinema – to tell a story with only visuals. And now, A
Most Violent Year is a gangster epic. Oscar Isaac plays a
trucking company executive trying to keep his hands clean but his
wife (Jessica Chastain), a gangster's daughter, is pulling strings to
make their legit business be a little more illicit. Both actors have
blossomed into some of the finest performers of their generation,
capable of phenomenal back-and-forth, and the arguments hinted at in
the trailer look like big deals.
American Sniper
Director: Clint
Eastwood
Writer: Jason Hall
Starring: Bradley
Cooper, Kyle Gallner, Sienna Miller
If it's anything
like that first trailer, American Sniper will be a taut
thriller about the things society asks of its soldiers and the prices
they pay. That might not be likely, but it is possible. Eastwood is
rarely a great director but always a capable one who knows what he's
doing. On his way to leading man status, Cooper has grown from
“pretty good” to “really good” and his search for that Oscar
continues here. The guy is a movie star who is trying his best to be
a character actor, especially with the makeup and hair of American
Hustle and now the bulking and beard he wears in this movie. He
was able to mostly pull it off in the former film, but it might be a
greater test as he is asked to carry an entire drama by himself,
without the aid of an ensemble.
Blackhat
Director: Michael
Mann
Writer: Morgan
Davis Foehl
Starring: Chris
Hemsworth, Viola Davis, Wei Tang, William Mapother
It's been six years
since Michael Mann released a movie (2009's Public Enemies).
Here he returns with Thor himself in tow as an imprisoned hacker
being brought out of jail to help the feds track a hugely powerful
mega hacker from doing things like exploding nuclear power plants.
Yes, it's silly to see someone like Hemsworth being considered a
genius with a physique that could earn him a lot of money on the MMA
circuit (not that those people can't exist, but let's just say
Hemsworth doesn't often give off that “genius” side of the
equation in his roles) but hopefully Mann will move past that stuff
quickly and focus on the cat-and-mouse chase elements promised by the
trailer. After all, Hemsworth does carry a gun with authority in the
preview.
What's worrisome about this movie, aside from its January release date (the dumping ground for movies Hollywood doesn't have faith in), is its focus on technology. Those movies tend to be instantly dated because of the iterative nature of technology. Next year, computers will already be vastly better than the ones used onscreen here. The trick is to make the story not hinge on the tools themselves but rather in the emotion of lack of control or whatever theme the filmmakers want to explore. Given what we've been shown here so far, I worry about the tech being the hook itself. But I could be wrong, and I like seeing Hemsworth fight people.
What's worrisome about this movie, aside from its January release date (the dumping ground for movies Hollywood doesn't have faith in), is its focus on technology. Those movies tend to be instantly dated because of the iterative nature of technology. Next year, computers will already be vastly better than the ones used onscreen here. The trick is to make the story not hinge on the tools themselves but rather in the emotion of lack of control or whatever theme the filmmakers want to explore. Given what we've been shown here so far, I worry about the tech being the hook itself. But I could be wrong, and I like seeing Hemsworth fight people.
Paddington
Director: Paul King
Writers: Paul King,
Hamish McColl
Starring: Ben Whishaw, Nicole Kidman, Hugh Bonneville
Starring: Ben Whishaw, Nicole Kidman, Hugh Bonneville
An anthropomorphic,
speaking bear rides a bathtub down a flight of stairs, hilarity
ensues. That's the sarcastic tagline, but critics seem to be flipping
for this family film. Hugh Bonneville, who plays the patriarch of the
family that takes in the homeless Paddington, seems his usual stuffy
self, the kind of guy who will struggle with the pull of spontaneity
before finally recognizing its good parts. Basically, he's the same
as his Lord Grantham character on Downton Abbey. Nicole Kidman
looks to be playing a very similar part to the one she had in The
Golden Compass, although it will be unnerving if the same twist
applies here.
The Wedding Ringer
Director: Jeremy
Garelick
Writers: Jeremy
Garelick, Jay Lavender
Starring: Josh Gad,
Kevin Hart, Kaley Cuoco-Sweeting
Josh Gad, despite
his rising star in the comedy film arena, seems like just another
“guy” to me. I don't really know what he brings to the table.
He's relatively humorous but his presence is mostly just “bland
looking guy who calls out how bland looking he is.” Kevin Hart, on
the other hand, has made me laugh a lot in his cameos in things like
The 40-Year-Old Virgin and recently in Chris Rock's Top
Five, but I'll admit to never having seen any of his starring
roles or comedy specials. People love him, though, so there must be
something going on. In this, Hart plays a man who hires himself out
to friendless grooms who need best men for their weddings, creating
“lifelong” relationships through faked pictures and whatnot.
There seems to be a lot of ingredients for good mistaken-identity
farce in this, so let's cross our fingers and hope this is a nice
little comedy to warm us up on another cold January weekend.
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