Wild
Director: Jean-Marc
Vallée
Writers: Nick Hornby (screenplay), Cheryl Strayed (from her novel)
Starring: Reese Witherspoon, Laura Dern, Thomas Sadoski, Keene McRae
Writers: Nick Hornby (screenplay), Cheryl Strayed (from her novel)
Starring: Reese Witherspoon, Laura Dern, Thomas Sadoski, Keene McRae
Wild opens
with one of the most evocative, visually explanatory character
introductions of the year. There is little vocalization beyond a
couple swear words uttered by Reese Witherspoon's Cheryl. The camera
tells us everything we need to know about her, her place in life, her
frustrations and determinations. As she picks at her horribly beaten
foot – hiking long distances is not nice to your feet – we know
she's not about to give up on her search for … something. When her
boots fall down the hill on which she rests, the vulgarity streams
out as cathartic humor for the audience, but supreme frustration on
her part, one of those “you've got to be kidding me” moments.
But, even beyond the fact that we know there are almost two hours
left of movie and it wouldn't make sense to have this be the end of
her journey, we see why this woman will go the distance.
That's
the thing about Cheryl. She can't stop. After a personal trauma as a
young woman, she falls into a despair spiral. She starts smoking,
then snorting, then shooting up heroin. Her marriage falls into
disrepair because of her constant infidelity.
An
interesting through line appears in these scenes, which filter in as
flashbacks during her hike on the Pacific Coast Trail from the
Mexican to Canadian borders. She's a little old to be falling apart.
In the scenes depicting her college days, where she attends the same
school as her “reinventing herself” mother, played by an
eternally optimistic Laura Dern, Cheryl is a capable, cocky young
woman, the type of go getter you can easily imagine having a high
powered career. She shuts herself off from things – like her
mother's beloved paperback authors – out of elitist pretensions,
and only after her trauma does she start letting herself experience
new things. Unfortunately for her, those new things are highly
destructive and send her on a four-year binge of being lost. “I'm
the girl who says yes,” she says to explain herself to her
concerned friend, but she never believes it.
And
so, this emotionally exhausted woman embarks on a 1,200-mile journey,
on foot, with little to no training, to put herself in the way of
beauty, as her mother always instructed her to do. And beauty is
everywhere. Cheryl sweats her way through desert vistas, howls with
coyotes, gets carried away by a stream's current, wanders through
redwood forests, and plenty more. In a striking juxtaposition,
everyone she meets on the trail has their own problems, like all
people do, but they tend to have a much healthier way of dealing with
them. They are more accepting of their faults, and director Jean-Marc
Vallée (last year's far inferior Dallas Buyers Club)
gets the most out of these actors in their short screen time. Where
he goes wrong in a couple places is an overly symbolic red
wolf/coyote thing that Cheryl sees at her most dire moments on the
trail, meant to represent the disapproving glare of those who wish
for her to be her best self. If it had appeared once, it might have
worked, but several appearances, plus the obvious CGI used to render
the creature does a disservice to the film, which Witherspoon and her
costars need no help carrying. It's a bit of overkill and lack of
trust in the terrific cast, but luckily it's fleeting and does not
distract from the whole too much.
And
why should it? Witherspoon does her career's best work here. She
handles different ages (19-ish to late 20s) and the bumps along the
way to maturity with grace and never faltering believability. Her
anger at the unfairness of life bursts from her, even in a flashback
where she sheepishly gives the finger in a heroin-addled daze to a
man who just robbed her. Her path to acceptance of life not going her
way is a difficult one, but she gently pushes the audience to join
with her. It's easy to accept Wild's
less than stellar moments when its heart is on its sleeve in these
scenes. Cheryl Strayed would be proud.
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