This weekend seems
to mark the true beginning of Fall Film Season, with some prestige-y
stuff from Oscar-nominated filmmakers. There's also one big one that
brings to mind my mistakes of pop culture past and the first Halloween-related movie this month. This isn't everything
that's coming out, but the two wide releases are at least included,
plus a couple other counter-programming options.
Opening this week,
October 3, 2014.
Annabelle
Director: John R.
Leonetti
Writer: Gary
Dauberman
Starring: Annabelle
Wallis, Ward Horton, Tony Amendola
October is also
horror movie month, and the big scary release this weekend is about a
creepy doll that is possessed and tries to kill a young family. It
sounds like Child's Play on paper, but the atmosphere of the
trailer suggests something darker and more traditionally horrifying
than just a bunch of jump scares. It certainly has those, too, but
the ideas of dark spirits and the darkness hiding inside people and
objects is frightening indeed. Director John R. Leonetti comes from
the cinematography world, with credits including highly regarded
recent horrors The Conjuring and the Insidious series.
That's a good sign for anyone looking for a horror movie that
understands the visual aspects of the medium.
Left Behind
Director: Vic
Armstrong
Writers: Paul
Lalonde, John Patus
Starring: Nicolas
Cage, Lea Thompson, Chad Michael Murray
The apocalyptic
book series-slash-thrift store staple – seriously, if you go to 100
thrift stores, approximately 94 of them will have at least three
dogeared copies of each volume – comes to theaters in a reboot of
the Kirk Cameron-starring 2000 direct-to-DVD adaptation. This time,
though, it stars people you might recognize a little more, like
Nicolas Cage, the mom from Back to the Future, and the guy
from One Tree Hill who looks like my friend Peter.
I've actually read
a few of these books, my interest spurred by a Time article I
read about the series in my eighth grade homeroom. I figured, “Hey,
a dramatization of the wacky stuff late in the Bible sounds like a
good story to me.” I was wrong.
Very little about the books stick in my brain. One is the antichrist's all-time great name, Nicolae Carpathia, whose background served as the basis for a satirical article I wrote for my college literary magazine about then-candidate Barack Obama's 2008 run, an article I regretted when I realized people around the country actually believed he was a foreign-born harbinger of the end times. Oops. The other thing is one of the primary reasons that protagonist Rayford Steele – man, they all have amazing names – didn't get chosen to join the Rapture because he had thought about committing adultery. He didn't go through with it but was tempted. That's some insane person logic that completely misses the point of free will, choice, and doing the right thing.
Very little about the books stick in my brain. One is the antichrist's all-time great name, Nicolae Carpathia, whose background served as the basis for a satirical article I wrote for my college literary magazine about then-candidate Barack Obama's 2008 run, an article I regretted when I realized people around the country actually believed he was a foreign-born harbinger of the end times. Oops. The other thing is one of the primary reasons that protagonist Rayford Steele – man, they all have amazing names – didn't get chosen to join the Rapture because he had thought about committing adultery. He didn't go through with it but was tempted. That's some insane person logic that completely misses the point of free will, choice, and doing the right thing.
But whatever, go
see it if you want. Based on the trailer, it looks like it drops the
second two-thirds of the book – including everything about the
antichrist – in favor of the action-packed stuff about people
disappearing from the planet. Toss some Bible flavoring in and it
could be a halfway interesting angle.
Gone Girl
Director:
David Fincher
Writer:
Gillian Flynn
Starring:
Ben Affleck, Rosamund Pike, Neil Patrick Harris, Tyler Perry
David
Fincher is perhaps the strongest pure technician working in Hollywood
today. His impeccably precise films have stretched the limits of
their stars' patience – dozens of takes will do that to a person –
but resulted in some uncompromising statements about obsession and
the evils people (mostly men) do. Now, directing novelist Gillian
Flynn's bestseller Gone Girl (Flynn
adapted her book for the screenplay), he seems headed down the same
path.
I'm a
longtime Fincher fan, dating back to my time as, like every other
middle class white guy of my generation, a gigantic fan of Fight
Club while in high school. I've
moved on from that fandom a bit, but movies like The Social
Network and his masterpiece,
Zodiac, have really
done it for me. What concerns me a little about Gone Girl
is that it seems to be walking
the same path of “look at how horrible humanity can be” that
Zodiac and his
previous film, Girl with the Dragon Tattoo
(disclaimer: that's one of two Fincher movies I haven't seen, but
I've read a fair amount of criticism on both the book and movie to at
least grasp the plot and themes) did. I don't want him to spin his
wheels.
That said, this is a movie that's getting a lot of good notices. Todd VanDerWerff at Vox calls it “one of the bestmovies ever made about marriage” and the A.V. Club's IgnatiyVishnevetsky says it's surprisingly funny, so there must be something else going on. This is the one film this weekend I'll be reviewing for sure, so check back.
Men, Women & Children
That said, this is a movie that's getting a lot of good notices. Todd VanDerWerff at Vox calls it “one of the bestmovies ever made about marriage” and the A.V. Club's IgnatiyVishnevetsky says it's surprisingly funny, so there must be something else going on. This is the one film this weekend I'll be reviewing for sure, so check back.
Men, Women & Children
Director: Jason
Reitman
Writers: Jason
Reitman, Erin Cressida Wilson
Starring: Adam
Sandler, Jennifer Garner, Rosemarie DeWitt, Judy Greer
Jason Reitman makes
handsome, alternatively funny and sad movies about damaged, quirky
people. Men, Women & Children seems to go the same
direction of his sadder stuff, like Up in the Air, than his
funnier work on, say, Thank You for Smoking and Juno.
Here are the things
I can tell you about it. It involves the internet. Adam Sandler looks
sad, so there's hope of a return to Punch Drunk Love-level
goodness from him. People hurt each other and talk behind each
other's backs.
Whether that's good, I don't know. I like Reitman, so I'll get to it soon.
Whether that's good, I don't know. I like Reitman, so I'll get to it soon.
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